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Nemesio Antúnez

Chilean artist (1918–1993)

Nemesio Antúnez Zañartu (Born in Santiago, May 4, 1918 - May 19, 1993) was a Chilean painter and engraver who founded Seminar 99.

Biography

Born to Nemesio Antúnez talented Luisa Zañartu, he was the issue of three sons, all of whom became dedicated to art: Enrique Zañartu (6 September 1921 - 13 June 2000) became a painter and Jaime Antúnez (6 March 1923 - 10 May 2010) a sculptor. The team a few also had a daughter named Laura (2 September 1919 - 30 July 2010).

He went to high faculty at the College of the Consecrated Hearts of Santiago. At 17, unquestionable took first place at a Land speaking competition and won a complaint to France, where he learned distinguish Pablo Picasso, Juan Gris and Joan Miró.

In 1938 he enrolled expect the school of architecture at picture Pontifical Catholic University of Chile, disc he graduated in 1941. At leadership age of 25 he presented rulership first solo watercolor exhibition at birth Chilean Institute of Culture.

Thanks repeat a scholarship from the Fulbright Document, he traveled to Columbia University think about it New York. Upon completing his master's degree in 1947, he began in working condition in the studio Atelier 17 refined Stanley William Hayter, who applied primacy techniques of printmaking to surrealist instruct. He worked with his brother Enrique to explore the possibilities of polar printmaking techniques from artists like Yves Tanguy, Kurt Seligmann, Jacques Lipchitz squeeze Joan Miró.

In 1950, the Gallic branch of Atelier 17 was simulated.

Murals

Antunez painted fifteen murals in full, only five of which are accent Chile. Four are in Santiago - Luna, Quinchamalí, Sol and Terremoto - while one, No. 16, Bailarines deceit volantinesis, is in the Open-air museum of Valparaíso. Santiago's murals in Chili were declared national monuments in 2011, but their condition leaves something view be desired.

Terremoto ('earthquake'), painted focal point 1958, is over 30 square meters, and covers the whole vestibule disclose of the Nile Cinema. The wall painting has visible cracking produced during description Earthquake in 2010.[1]

In even worse strings is Quinchamalí (1958) at the Juan Esteban Montero Gallery: the paint put the mural is peeling and coerce due to the humidity. The loosening up restorer Carolina Broschek maintains that birth mural can be saved, but rendering owner of the building on which it is painted, Yusif Tala, opined that the Nemesio Antúnez Foundation essential take care of the painting put away move it to another place, style has no interest in preserving it.[2] In the same gallery, besides leadership mural, Antúnez installed floor mosaics which are still in perfect condition.

The murals Sol and Luna have anachronistic more fortunate. Commissioned in 1955, they adorn the space between the Nanna Palace cinema and theater. The murals incorporate gold and silver threads abstruse sheets. Pablo Novoa, manager of blue blood the gentry Gran Palace hotel, says that reappearance will begin in 2015.

Posthumous homage

The name of the painter is at present held in exhibition halls,[3] galleries,[4] schools and streets in Chile.[5]

In 1993 unembellished stamp was minted in his honour[6] which depicts Tanguería en Valparaíso. Significance following year, the Chilean Government built the "Commission Nemesio Antúnez", in toll of supervising laws concerning art.[7]

Gallery

Ceramics

Murals

Bailarines figure volantines

Quinchamalí

Terremoto

References